SHADOW DN5-COSWORTH T. Pryce 1975 - Portrait

SHADOW DN5-COSWORTH T. Pryce 1975 - Portrait

from 49.00

50 x 70cm | 19 ¾ x 27 ½ "

The new-for-1975 Shadow DN5 was an evolution of the existing DN3.
Also designed by Southgate, the DN5 was a further refinement of the Shadow F1 racers campaigned in 1973 and 1974. It was built around an aluminium monocoque, which used the Cosworth DFV V8 as a fully stressed member. Carried over from the predecessors was the low and long nose with twin nostrils that fed the oil cooler. The water radiators were mounted on either side of the coke-bottle shaped monocoque.
Even though the DN5 was not a brand new car, it was immediately competitive with Jean-Pierre Jarier claiming pole position in the car's Argentinean Grand Prix debut. Jarier and Tom Pryce also led the British Grand Prix but crashed out. The Welshman did win the Race of the Champions, scoring Shadow's first Formula 1 victory.
Competitive runs in the remainder of the season meant that Shadow ended the year sixth in the constructors standings, which was the team's best result yet.

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50 x 70cm | 19 ¾ x 27 ½ "


This high-quality giclée print is produced on acid-free papers using archival inks to guarantee that they last a lifetime without fading or loss of colour.

The print includes a white border around the illustration to allow for future framing and matting, if desired.

The print is delivered unframed but is ready to be framed in a 50 x 70cm frame.



The modern UV paper from Sihl (135g/m²) is bleached to a bright white and offers the perfect foundation for reproducing the original colours with remarkable richness. A matte coating ensures it is incredibly robust and resistant to changes in temperature and splashes of water.

My printer uses the most modern, super-wide-format printing system from HP. For this premium poster, he uses eight colours, rather than four; light magenta and cyan inks allow additional sharpness, improved resolution, and finer tonality in lighter image areas.

Whichever format you choose, the colours will be equally impressive, the grey balance will be completely neutral, and the contours extremely sharp. After printing, he hardens the inks six times using UV light to make your print resistant to external influences. It will be at its best for years to come.


The Hahnemühle FineArt Rag fine soft matte surface 308g/m² is one of the most robust papers from Hahnemühle. It is made of 100% cotton and has a matte surface. With its soft and fine texture, this paper is very versatile and is just as well suited to colour prints as it is to deep blacks and pure whites. The Hahnemühle FineArt Rag is an amazing paper for all kinds of images and for high pictorial depth.

Hahnemühle’s authentic art paper is regarded as top of the line. It is often used for exhibitions and limited-edition art prints.

A really beautiful paper, my favourite.